Dünyada
5 Nov - 8 Nov“I’m not from here.”
A man arrives with a suitcase, a camera, and a voice that seems sad somehow.
This November, internationally acclaimed actor and director Mehmet Ali Nuroğlu brings his visceral, high-intensity solo performance Dünyada to Voila! Theatre Festival. Dünyada, meaning “on earth”, is a formally adventurous solo theatre that tears the fabric of one-person play through cinematic camera work, visual extension and sound design. Reimagining Will Eno’s celebrated monologue Title and Deed, the production offers an evocative exploration of alienation and belonging, and an exitential exploration of love and death in a digital age.
Nuroğlu walking the thin line between the mundane duties of keeping things going and the emotional disorder of remembering (like all of us). In a raw, technical struggle, he manages lighting and soundscapes in real-time, creating a parallax between his physical body and his digital ghost.
Intimate, funny, unsettling, and deeply, deeply human.
A salute to the progress in life, to being here, now, right now. On stage.
WRITER: WILL ENO
DIRECTOR / ACTOR: MEHMET ALİ NUROĞLU
TRANSLATED BY AYBERK ERKAY
DRAMATURGY: İNÖNÜ BAYRAMOĞLU
MUSIC: ÇAĞRI SİNCİ
DIRECTOR OF PHOTOGRAPHY: AYŞE IRMAK ŞEN
LIGHTING DESIGN: ÖMER RAUF AKSOY
SOUND & EFFECTS: MUAZ CEYHAN
PRODUCTION CONSULTANT: BÜKE AKŞEHİRLİ
ASSISTANT DIRECTOR: AYŞEGÜL NUROĞLU
PRODUCTION ASSISTANTS: BATUHAN KURT, EMİR GÜZEL
VISUAL COMMUNICATION: EZGİ TURAN
PRODUCTION: VERTOV FİLM THEATRE
2026 LONDON TEAM |
DIRECTOR / PERFORMER: Mehmet Ali Nuroğlu (Invited)
ASSISTANT DIRECTOR: Ayşegül Nuroğlu (Invited), Berrin Nuroğlu (Invited)
VISUAL DESIGN: Shiyang Liu
LIGHTING TECHNICIAN: Queena (YunShi) Huang
PRODUCER / EVENT MANAGER: Ziyi Cao
CO-PRODUCER / MARKETING PARTNER: Joy Li
FUNDING ADVISOR: Neil McPherson
PRODUCTION ASSISTANTS: Zahra Malik, Siyi Wu, Betül Dagli
DIGITAL DESIGNER / PHOTOGRAPHER: Ying Huang
★★★★★ ‘A masterclass in theatrical craft, interactivity, and emotional depth.‘
— Erdoğan Mitrani, Şalom
★★★★ ‘One of the season’s most unexpected and provocative works.‘
— Gülin Dede Tekin, Gazete Oksijen